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Subjects analysing subjects in the biographical approach: a generational study of Chilean musicians

机译:科目用传记方法分析科目:智利音乐家的世代研究

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The biographical approach aims to understand a subject's life story and its personal interpretations. Produced in specific settings, this approach considers how the elements of this production play a role in the narratives. Therefore, choosing the biographical paradigm assumes methodological decisions within the data collection and definition of analytical tools. In this article, we focus on the researcher's role in the production of the biographies and the formal analysis, a technique that is borrowed from narrative studies, which emphasises 'how' the story is told - on the telling rather than the told. Using the case of three generations of Chilean musicians, we address these two relevant points within the inquiry of biographies: the researcher-researched relationship, with a focus on the impact of the generational proximity on their interactions and how it affects the construction of the narrative; and the different story genres drawn from the formal analysis, which reveal the primary role that temporalities and subjects' generations have within the biographical approach. We aim to give relevance to the subjective dynamics considered in a formal analysis and in the interview settings, for further biographical studies.
机译:传记方法旨在了解对象的生活故事及其个人解释。这种方法是在特定环境下制作的,它考虑了这种制作的元素如何在叙述中发挥作用。因此,选择传记范式是在数据收集和分析工具定义内假设方法论上的决定。在本文中,我们将重点放在研究人员在传记的制作和形式分析中的作用,这是从叙事研究中借用的一种技术,该技术强调故事的“讲述方式”,即讲故事而不是讲故事。以三代智利音乐家为例,我们在传记研究中论述了以下两个相关点:研究者与研究者之间的关系,重点关注世代相近对其互动的影响以及它如何影响叙事结构;以及从形式分析中得出的不同故事体裁,揭示了时空和对象世代在传记方法中的主要作用。我们旨在与正式分析和访谈环境中考虑的主观动力相关,以进行进一步的传记研究。

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